Dennis lehane patient 675/20/2023 ![]() ![]() Therefore, participatory delusion and the engendering of the readers ’ dual-subject position vis-à-vis the gaze, Foucault ’ s (1973) theorization of how post-Enlightenment medicine objectifies patients as objects of knowledge, are specific to the graphic medium. In film, there is too little time in between frames to reflect on the character ’ s gestural anatomy, their dialogue, and the mis-en- scene, all of which invite the reader to make associations that resonate with the text and their own personal experience or imagination. In Shutter Island, the longer one examines panels where something seems off, the more he or she becomes invested in Daniels ’ delusion. The painting invites the viewer to contemplation before it, he can give himself up to his train of associations ” (2008, 53n32). The image on the screen changes, whereas the image on the canvas does not. This resonates with early media theorist Walter Benjamin ’ s argument about the differences between the mediums of film and still paintings: “ Let us compare the screen on which a film unfolds with the canvas of a painting. What the graphic novel allows and encourages is extended reflection. Film, on the other hand, presents images too quickly. ![]() time and in different orders and arrangements. ![]()
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